Editorial illustrations for Good Housekeeping’s “Life + Health” section. The editorial was about the prevalence and dangers of poison hemlock. The creative brief was to make a seemingly ordinary backyard into an ominous, eerie, and poisonous place.
Other illustrations painted the picture of the person in the story cutting down poison hemlock, exposing them to the poison as an aerosol.
The last illustration is to describe the differences between poison hemlock and it’s nontoxic cousin, Queen Anne’s lace.
Four illustrations created for Wine Enthusiast as part of a greater timeline about the history and influence of wine throughout many of the reality television shows on Bravo.
This large project had a very quick turnaround of four days. The scope of the project was to highlight some of the most memorable scenes in Bravo TV history, which were listed in the creative brief. Character research, compositional sketches, and final delivery all had to be done within the tight four-day deadline.
Art Director: Evan De Normandie, Wine Enthusiast
Collaboration with Texas Highways Magazine for their March 2025 issue. From Bahn Mi’s to Po’ Boy’s to other global bread-based bites, this two-page spread highlights some of the diverse and most notable sandwiches one can try throughout Houston.
Art Director: Sara D’Eugenio, Texas Highways
An in-depth guide published by Eater, featuring the famous and familiar chain restaurants across the US, as well as the evolution of these restaurants over time. Creative Director, Nat Belkov, artistically directed the overall publication to resemble a familiar, chain-like restaurant menu. Each illustration - from the adapted Eater logo to every dish - is meant to evoke nostalgia while also enticing the reader.
Art Director: Nat Belkov, Eater
Editorial panoramic illustration for Eater, continuing their publication “Chainification of America.” This interactive panorama walks readers through “Chain Street,” which features popular chain restaurants across the United States
Art Director: Nat Belkov, Eater
Commissioned by New York Magazine each month to illustrate for their Grub Street Diet column. This has been an ongoing collaboration since 2022. Each illustration features a prominent New Yorker who is interviewed about what they ate in a week in New York City. The Grub Street Diet is published every Friday with an illustration commissioned by one of their rotating illustrators.
Art Director: Ashley Smestad Vélez, New York Magazine
The Globe and Mail, known as Canada’s national newspaper, commissioned a series of eight portraits of the winners of the Gairdner Awards. The Gairdner Foundation has distributed 426 awards for outstanding scientific research since 1957.
Art Director: Lauren Heintzman, The Globe and Mail
Editorial illustration featuring Seth Rogen, Catherine O’Hara, and Evan Goldberg for this spotlight article about their new show “The Studio” coming to Apple TV on March 26, 2025.
Art Director: Lauren Heintzman, The Globe and Mail
Editorial illustration for The Boston Globe’s book review column. This article offers an in-depth review of “Missing White Woman” by Kellye Garrett.
The book dives into the mystery of the death of a well-known Manhattanite white woman, the complex histories of all of the characters, and the main protagonist’s fears of how her race throws a difficult wrench into navigating this unspeakable horror.
Art Director: Omar Vega, The Boston Globe
Editorial illustration celebrating the donkey, which has been featured in two films that are nominated for an Oscar in 2023.
Art Director: Susana Sanchez, Los Angeles Times
Editorial illustration for BBC Science Focus Magazine’s column, “Popcorn Science,” where a leading scientist in the chosen field either debunks or supports the science involved in a work of fiction on tv or at the cinema. This article looks to robotic humanoids in Dr. Who as a reference to talk about whether humans are becoming soulless bionic people with our advancements in medicine.
Art Director: Joe Eden, BBC Science Focus Magazine
Français
MIAM Magazine est un magazine pour enfants qui célèbre l'histoire et la culture des aliments présentés dans chaque numéro.
Cette couverture s’agit d’un célébration de la courge delicata, un légume bien connu d’être mangé durant l’automne et l’hiver. Cette scène imaginaire que j’ai illustré est située dans le plus famous marché en plein air à Montréal, Marché Jean Talon.
English
MIAM Magazine is a children’s magazine that celebrates the history and culture behind the foods they feature in each issue.
This cover pays tribute to the delicata squash, a vegetable well known for being eaten in fall and winter. The imaginary scene that I’ve illustrated is set in Montreal’s most famous open-air market, Marché Jean Talon.
Art Director: Daniel Demay, MIAM Magazine
Français
Une double page pour le numéro de printemps du magazine MIAM ! Cette rubrique s'intitule « Le Club Sandwich » et les enfants y posent des questions sur l'alimentation.
La question de ce numéro est « Pourquoi les fruits ont-ils des couleurs différentes ? ». On m'a demandé d'illustrer une explosion de fruits différents afin de créer un effet arc-en-ciel surréaliste pour mettre en valeur la gamme de couleurs des fruits.
English
A two-page spread for their Spring issue of MIAM Magazine! This column is called “Le Club Sandwich,” where kids send a question about food.
The question in this issue is “Why do fruits have different colors?” I was tasked to illustrate an explosion of different fruits to create a surreal rainbow effect to highlight range of colors of fruits.
Art Director: Daniel Demay
Art Director: Daniel Demay, MIAM Magazine
This guide book is published by Jesuits Refugee Services: Canada. It is the Canadian branch of the global nonprofit organization that advocates for refugees throughout the world, offers aid and services for new entrants and asylum recipients into Canada, and provides teaching materials and educational programs for schools, colleges, universities, and the public.
JRS had asked to create the design of the guide book and include five illustrations that accompany the beginning of each chapter.
Art Director: Tevfik Karatop, Jesuits Refugee Services: Canada
Authors of this guide book:
Tevfik Karatop; Joshua Utter; Hugo Ducharme; Jean Francky Guerrier, SJ; Rocky Robenson Roger, SJ; Mario Cabal; Emma Beaulieu
Français
Collaboration avec les Éditions Hurtubise, éditeur québécois, pour la création de la couverture d'un roman pour adolescents intitulé « Gonflé à bloc ».
Mordu d’adrénaline et de sensations fortes, Moïse Turgeon rêve de devenir pompier. Lorsqu’un formateur lui fait une remarque blessante sur sa carrure, une détermination féroce s’empare du jeune de 16 ans.
English
Collaboration with Québec publisher, Éditions Hurtubise, in creating the cover for a teen novel entitled “Gonflé à bloc” (“Pumped Up”).
Adrenaline junkie Moïse Turgeon dreams of becoming a firefighter. When a trainer makes a hurtful remark about his build, the 16-year-old is seized by fierce determination.
Art Director: Sabrina Soto, Éditions Hurtubise
Français
Les studios Locomuse, au Québec, ont demandé une illustration pour la boîte de leur première série de jeux entièrement conçus et produits au Québec. Le produit consiste en trois jeux de société, chacun réalisé par des illustrateurs différents.
Les jeux sont "Arturus Rex", qui vous emmène dans un voyage avec le roi Arthur et les chevaliers de Camelot ; "Roll n' Cook", un défi de frénésie alimentaire ; et "2 Serpents", où l'objectif est d'éviter deux serpents numérisés des années 80. L'illustration de la boîte est une combinaison de tous les personnages des trois jeux.
English
Locomuse Studios in Québec asked for an illustration for the box of their first fully québecois-designed and produced game series. The product consists of three board games, each made by different illustrators.
The games are “Arturus Rex,” which takes you through a journey with King Arthur and the Knights of Camelot; “Roll n’ Cook,” a food-fighting frenzy challenge; and “2 Serpents,” where the objective is to avoid two digitized snakes from the 80’s. The box illustration is a combination of all the characters from the three games.
Art Director: Simon Jutras, Locomuse Studios
Français
Illustration de l'affiche pour "Le français sur les planches", une production théâtrale de la compagnie québécoise Jaune Camion. Ce programme guide le spectateur dans l'univers culturel des francophonies.
English
Poster illustration for “Le français sur les planches,” a theatrical production by Québec company, Jaune Camion. This program guides spectators to enter into the cultural world of the francophonies.
Art Director: Yvon Bourbonnais, Jaune Camion Productions